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Frith performing at Georges hall, in Bristol. Photo Credit: Bristol Evening Post

Audio recorded and engineered by James Mather EMAIL

Performance

 

As  a young soprano, I had plenty of exciting opportunities for performance, and I took part in opera, oratorio and concert singing. 

These days, I warm up at least 6 times a day but there’s often very little time to actually practise! But when I make time for it, I find that I am now more excited than terrified at the prospect of performance – this wasn’t always the case when I was a young performer - and I put that down to having confidence in my technique, and so being able to let the music be the focus, as it should be.

 

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'Die Nachtigall' from Seven Early Songs by Alban Berg is from a recital at the Bristol Music Club in April 2016. The accompanist on this occasion is the brilliantly talented young pianist, Gus Tredwell. 

 

The excerpts below are taken from recitals I have done in the last 3 years, at St George’s, Brandon Hill and in Bristol Cathedral.  My accompanist in these is Kate Woodman, Head of Keyboard Studies at The Red Maids School and an accompanist with NYCGB.

Vocalise – Rachmaninov
Love’s Philosophy - Quilter
A Word on My Ear - Flanders and Swan
Les Berceaux – Faure
Recorded live and engineered by James Mather at St George’s, Brandon Hill in October 2012

Speak Low - Weill
Recorded live in St George’s, Brandon Hill in October 2014  on the in-house recording system

Extract from ‘How Beautiful are the feet' by Handel.
Recorded and engineered by James Mather in Bristol Cathedral, October 2014

 
 
 
 
 

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